Time to time,
the Building Conservation Course arranges special evening lectures
at the Architectural Association. Lectures, given by well-known
experts and practitioners, under general the title of "Current
Conservation Issues and Conundrums." These are open
to current students, Alumini and to the public.
The Next evening lecture will be on ... "Pastiche,
Imitation, Revival ..."
"why are revivals condemned as 'pastiche' today, but not
in the 18th century?" by Professor
David Watkin. Thursday 11th May 2006 6.30pm
David Watkin questions why the revival or development by a current
architect of a traditional style should be condemned as 'pastiche',
yet be accepted by the same critics in the work of Renaissance architects
such as Brunelleschi, Alberti or Bramante.
David Watkin, Professor of the History of Architecture at the University
of Cambridge, is one of the leading architectural historians and
thinkers of our time. He is the author of many books including Thomas
Hope and the neo-Classical Idea (1968), The Life and Work of CR
Cockerell (1974), Sir John Soane, Enlightenment Thought and the
Royal Academy Lectures (1996), The Architect King: George III and
the Culture of the Enlightenment (2004). His new book Radical Classicism:
the Architecture of Quinlan Terry will be published in 2006.
For information and a "postcard" of this event, email
at buildings@aaschool.ac.uk
Previous Lectures
The first Lecture was given in May 2004 by Julian
Harrap whose subject was on the “Conservation in
Practice”. The Lecture discussed designing a conservation
philosophy and a framework of ideas for three case studies: the
Neues Museum Berlin, the Sir John Soane’s Museum, London and the
redevelopment of the Twentieth Century Windtunnels at Farnborough.
Professional accreditation schemes and current building conservation
courses will be questioned.
Entitled “The Conservation of Spaces for Music”,
Derek Sugden came to give the
second lecture in November 2004. Mr Sugden, Structural Engineer
and Acoustician, was a founder Partner and Principal of both ARUP
Associates and Acoustics. He has been involved in the creation and
conservation of many concert halls and opera houses in the UK and
Europe over many years, including the Snape Concert Hall, the Theatre
Royal Glasgow, auditoria at various Oxford and Cambridge Colleges,
and the Buxton and Glyndebourne Opera Houses. His lecture discussed
these and other such buildings, from Palladio’s 1583 Teatro Olimpico
and Wren’s 1664 Sheldonian Theatre to the Bridgewater (Manchester)
and Albert Halls, the Royal Festival Hall and various Baroque churches,
and their use as spaces for musical performances.
In March 2005, the third in the series was given by John
Allan whose lecture was on “The Conservation of
Modern Architecture - Dilemmas and Propositions”. Mr Allan
is the Director of Avanti Architects and talked about some of his
experiences in working on Modern Movement conservation projects,
which have ranged from the Penguin Pool to the Barbican.
Note this is a non-profit series of lectures and a small fee is
ask for to cover expenses. Snacks and nibbles are normally served
before the lecture.
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